We’ve known Kintar for years, and after countless nights experiencing his Sumerians parties in Ibiza and Tulum, it was time to catch up with him again. As the Ibiza season was drawing to a close, we headed to his home on the island to find out how his summer had unfolded and what’s next for the Argentine DJ and producer. We caught him just as he was wrapping up a session in his home studio, where his signature blend of mystical, ethnic influences and progressive melodies continues to evolve. From new music and the future of electronic dance music to the expansion of Sumerians and the importance of living in the moment, we talked about what’s shaping his world right now and where he’s heading next.
Interview With Kintar:
Hello from sunny Ibiza! We’re here with Kintar, You just had a studio session with Blanka Nova. What are you cooking together?
We’re working on some tracks, including her own material and some collaborations planned for 2027.
Blanca told me that you’ve been working hard in the studio this year. What can we expect from you? What kind of music are you working on?
I’m trying to bring a new sound to the table. I’m testing it at my upcoming gigs and working on new releases. I’m trying to maintain my ethnic and tribal sound while combining it with the progressive and melodic house side of Kintar. That’s what I’m working on. I’m really focused on the music right now.
Is Ibiza the place that inspires you when creating new music?
Well, yeah, I mean, it’s a beautiful place. But I’m more inspired by my life, by reality and the things that happen day to day.
Do you still find inspiration in other DJs and big producers?
Yeah, of course. This isn’t a linear industry. Everything is changing: the music, the genres, everything. Afro house is changing right now, and I’ve been labelled an Afro house DJ, so I’m also evolving towards something new and fresh. I’m always looking for inspiration and trying to understand where music is heading in terms of production and genres.
From your point of view, where is electronic dance music heading right now?
I can feel a shift towards house music. House has always been there, but now it feels like the cycle is coming back to house and its roots. I think we can expect more tech house, house and even deep tech. Of course, tech house has been around since the late 1990s and early 2 000s, but everything is changing. We’re seeing different waves, like the Manchester wave, and I think the range is opening up. Even Afro house producers are moving towards house and tech house variations. But let’s see what 2027 brings. I’m excited!
What do you love most about the electronic music scene, and what do you dislike about it?
I think one thing we can’t really control is the whole phone culture and the influencer era. People aren’t living in the moment anymore. I come from a different time when we were really focused on the music and the passion behind it, discovering new tracks and new sounds.Now, it’s all about being at a certain club, taking a photo and recording a video. I think phones are changing our mentality and behaviour. I hate that. But from a different perspective, social media platforms like TikTok and Instagram also help people discover new talent. They give artists a way to gain exposure and attract new audiences, so there’s a positive side to it as well. Social media can definitely affect the vibe when people stop living in the moment. For example, about a week ago, I played at Keeper here in Ibiza for the first time. It was a party organised by an Argentinian team called Half Production. There were around 200 people, but the vibe was amazing. Nobody was on their phones; everyone was dancing like crazy. It had a much more underground feeling. So it also depends on the place and the timing. Everything is changing, and we can’t complain about everything.
I’m sorry I missed it, because I love that kind of vibe! What’s coming up next? Will you be playing anywhere else around the island this year?
Well, summer is over now. This weekend, I’ll be in Bulgaria. After that, we’re heading to Latin America for a tour. We’re planning several things, and I can confirm that we’ll be in Tulum. We’re also expanding into Europe and Asia, with some proposals already on the table. The first quarter of 2027 is going to be busy. And, of course, I’ll be touring as a solo artist under Kintar, playing in the United States, Mexico and Canada during January as well.
Are you focusing more on Kintar or Sumerians at the moment?
This summer was all about Kintar, but we’re also focused on making sure Summerians continues to grow. We don’t want the brand to decline; we want to expand it in a more controlled way, without burning out myself or my team. We started in 2021, during that period of our lives that I don’t even want to mention. From the beginning, we were constantly pushing forward and expanding. Now, we still want to grow, but we also want to organise bigger events on a festival scale, give more opportunities to other artists and introduce more stages with different genres. We could have one stage dedicated to a more underground sound and another with a more mainstream direction. It’s about creating a broader experience for everyone.
That sounds amazing. I can’t wait to see it happen!
You’re originally from Argentina, but you chose Ibiza as your home. What keeps bringing you back to this island?
Of course, it’s the quality of life. Life here is different, and my industry is here. For me, it’s like playing in the Champions League of football. My wife and I first came here in 2010, and we immediately saw the potential. We thought, “Okay, this is complicated, but possible.” We like to dream, and our idea was to come here and learn. In the beginning, we were in discovery mode, analysing the events, the music and the industry. Then we started organising events and creating our own party series. I think Ibiza is perfect because it’s such a cosmopolitan place. In my opinion, it’s more open-minded than some other big cities. And then there’s the weather and the beaches. It’s definitely one of the best places on Earth.
What’s the ultimate Ibiza track for you? Which song immediately comes to mind when you think of the island?
That’s a complicated question! To be honest, it’s not a track I play myself, but there’s a track by Franky Rizardo. I can’t remember the name exactly, but it’s something like “Shinjuku” It’s even difficult to pronounce! I think it captures something from the past, from what I experienced in Ibiza in the early 2000s, but presents it in a new way. It takes that old-school feeling and gives it a fresh perspective. Maybe it isn’t the track of the summer, and there are other tracks with bigger numbers, but I think Franky is bringing something fresh to the game. He’s a house artist, and I think his music captures something of that pure Ibiza sound, with an American house influence.
I agree. Franky’s sound is always amazing!
What’s your favourite place to chill in Ibiza?
During the summer, it’s complicated to relax! I have a really nice house, so my own place is probably the best spot to chill. We also visit places owned by friends. One of them is Carlos Alario, who has a beach club in Playa d’en Bossa. The area is usually really crowded, but his place is different. He’s working on it under a different concept, and the name will change next summer. I don’t want to spoil anything because he told me to keep it quiet! It’s close to Casa Bonafé, and I’m not sure whether everything will remain the same next summer, but the place is amazing. The food is incredible, and they’ve brought in two chefs from mainland Spain. It’s a place where you can be in Playa d’en Bossa without feeling like you’re in Playa d’en Bossa. It’s like an oasis in the desert.
Thank you for the recommendation! Is there anything else you’d like to share with the electronic dance music community right now?
For the crowd, I wish we could be more in the moment to enjoy, to dance and to have fun. I also think emotions are incredibly important right now. People often just want to have fun, but I think we need to open up our minds, souls and hearts to more emotional experiences. For some reason, people seem to be trying to avoid their emotions. I want people to be more present and more connected with their feelings, because emotions are so important to us as human beings. Avoiding problems isn’t the answer; we need to confront them. Of course, we need to have fun, but balance is the key. I wish people could be more present when we’re playing music. The experience should be about something real, not just taking pictures, recording videos and drinking. I hope the scene can recover some of those values. Music should be the connection between the crowd and the DJ, but phones can disrupt that connection. There’s also something about frequencies. If you study human frequencies, people often talk about being below 200 hertz. I think what matters is trying to reach a higher level, not necessarily 500, but 250, and trying to have fun and love each other. I know it sounds naive, but it’s possible. At the same time, I know it’s difficult.
Thank you so much for having us. Enjoy the rest of the year, and hopefully we’ll see you soon at one of your gigs!
Thank you for coming, and all the best to everyone in the audience!
