Fedde Le Grand is considered one of the most defining figures in house music, leaving his mark on the global electronic landscape for over two decades. With countless awards, remixes for icons like Madonna, Rihanna, Coldplay, and his all-time inspiration Michael Jackson, plus timeless hits such as Put Your Hands Up For Detroit, Let Me Think About It, and So Much Love, he has firmly established himself as a creative powerhouse. His name has graced the world’s biggest festival lineups from Tomorrowland to Ultra, while his Darklight Sessions radio show reaches fans worldwide. LoudLife had the chance to sit down with Fedde to talk about his latest projects, fatherhood, and what’s next on his journey.
Interview With Fedde Le Grand:
Hi Fedde, it’s been a while since we last met, and I honestly can’t wait for your upcoming show! How have you been lately?
I’ve been absolutely great, thanks for asking. It’s been a really exciting period. I’ve been playing lots of shows around the world and releasing music that I’m truly proud of. On top of that, some amazing things have happened in my personal life as well. I recently got married and I’m now a proud dad of a beautiful daughter. Honestly, things couldn’t be better right now, and I feel really grateful for everything that’s going on both professionally and personally.
Congratulations on your new release Liquid Music! Can you tell us the story behind the track and what inspired its rootsy house direction?
Thanks! This one has quite a funny story actually. It’s based on a track I used to play many, many years ago. The problem was… I could never remember the name of it, and no matter how hard I searched, I just couldn’t track it down again. At some point I thought, “Okay, if I can’t find it, why not just try to recreate the feeling of it from memory?”
So Liquid Music is really my interpretation of that memory, more like an echo of how the track made me feel rather than a direct remake. In the end it turned out very different from what I originally had in mind, but that’s what I love about it. It has this rootsy, house-driven energy, yet still feels fresh and personal. I’m honestly super happy with how it came together, and it’s been really special to see crowds respond to it the way they do.
How does it feel to return to the Toolroom label?
It honestly feels amazing. Toolroom and I go way back – we’ve done so much together over the years, and the label has always played an important role in my career. Even when I wasn’t releasing with them, I’ve always supported the guys, stayed in touch, and followed what they were doing. So coming back now really feels a bit like coming home.
There’s a strong sense of trust and creative freedom with Toolroom, and that’s something I really value. It’s not just about putting out music; it’s about being part of a family that understands your sound and pushes the culture forward. That’s why it feels so natural and exciting to return.
You’ve been shaping the dance music scene for many years, what’s your secret to staying fresh while keeping that signature Fedde sound?
I guess it ties into what I mentioned earlier. For me, it’s totally fine to get inspired by what’s happening around you, the new trends, fresh sounds, or even just the energy of other artists. But the trick is not to hold on to it too tightly. I take a glance, let it sink in for a moment, and then let it go before heading into the studio.
Once I’m in that creative space, it becomes about translating that tiny spark of inspiration into something that feels completely mine. I like to think of it as adding my own “sauce”, my groove, my sound design, my way of building energy, so even if the seed came from somewhere else, the end result has my own fingerprint on it.
That balance keeps me fresh, because I’m open to the world and what’s happening now, but at the same time I’m not just copying or chasing trends. I’m filtering it through my own perspective, which is how I’ve managed to keep that signature Fedde sound recognizable over the years. Hopefully that analogy makes sense!
If you could send a message to your younger self just starting out in the industry, what would it be?
I’d probably tell myself: don’t get caught up in the hype. Trends come and go, and there will always be distractions, but what really matters is staying true to your own path and your own sound. The music industry can sometimes feel like a sprint, with so much pressure to deliver instant results, but in reality it’s a marathon. Longevity comes from patience, consistency, and passion.
Beyond the music, you’re also a father. How has fatherhood influenced you as a person and perhaps even your creativity?
Becoming a father has been life-changing in so many ways. It’s contributed massively to my overall happiness and it’s put a lot of things in life into perspective. Suddenly, the little stresses that used to feel big don’t matter as much anymore. That shift has given me a kind of inner peace, and from that place I feel like I’ve tapped into a whole new source of inspiration.
Creatively, it’s almost like my mind is constantly overflowing with ideas. I can barely keep up with myself sometimes. I’m always sending myself little text messages or notes just to capture the sparks before they slip away. It’s a really fun process, and it feels very natural, almost like the creativity flows more freely now. Fatherhood definitely changed me for the better, both as a person and as an artist. It keeps me grounded, but at the same time it fuels me with new energy and motivation every single day.
What can fans expect from you for the rest of this year?
Well, definitely lots more music! I’ve got so many ideas and unfinished projects sitting in the studio that I can’t wait to finish and share. It feels like I’m in a really creative flow right now, so the plan is to keep that momentum going and release a steady stream of tracks.
On top of that, the shows just keep coming. There are still some really exciting ones on the horizon, like Tomorrowland Brazil, Creamfields Chile, Ushuaïa Ibiza, and many more. Each of these has its own unique vibe, and I love being able to bring my sound to such different corners of the world.
